Instrumental: Sunderland

Sunderland
June 22, 2011
[0:57]


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Instruments: FL Studio 10: Convolver plugin, Open Instrument Cable, Tambourine Sample, Hofner Bass Guitar Sample, 12 String Guitar Samples.

No organic instruments were harmed in the making of this track.

FL Studio has a plugin called "Convolver", which loads an audio sample and triggers it continuously according to the levels of an input sound source. In this case, I used tambourine, bass, and 12-string guitar samples as the samples to be triggered. For the triggering sound source, I used an open-ended instrument cable, tapping rhythmically on the end with my finger. When you have the cable plugged into an amp, this creates an abrupt buzzing noise which stops as soon as you let go of the end. It was this staccato buzzing that triggered the samples. Variations in impact force and friction created variations in the final sound of the samples.

For the chords being played, I ran together an octave's worth of separate Convolvers with 12-string guitar samples and mapped the notes to a MIDI keyboard. I fudged the chords with one hand while triggering the samples with the instrument cable in the other hand. It was fun.

P.S. The "rain" and banging/thunder/explosion sounds were produced the same way as everything else. Just, like, different samples. Secret percussion samples.

Instrumental: Dunderhead!

Dunderhead!
June 16, 2011
[3:38]


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Instruments: FL Studio 10: Convolver plugin + vocal sample and electric guitar.

FL Studio has a plugin called "Convolver", which loads an audio sample and triggers it continuously according to the levels of an input sound source.

So here, the sample I am triggering is an old (like, 2003 old) clip of me singing a Weird Al song, "Since You've Been Gone", backwards, backwards. That is, I took the line "Well I'm feeling like I stuck my hand inside a blender and turned it on", listened to it backwards, sang that, and turned the result backwards, arriving at a really goofy sounding version of the original. The words "blender and" came out sounding more like "dunderhead!", thus the name of this track.

The input source for this track was an electric guitar (now I can't remember whether it was the Kramer Focus or the Epiphone Wildkat; I'm leaning towards Kramer Focus). I just jammed out whatever popped into my head. The more trebly and staccato notes result in more obvious triggering of the speech sample; however, the sample really is triggered by every note, which is why there's so much ambient "reverb" and glitchy effects.

Here's the full original vocal sample from 2003 (apologies in advance for your poor ears):



P.S. If you know where I might have ripped off the main chord progression from, let me know. I keep thinking it reminds me of Harry Potter music.